As anyone who reads any of my voluminous writing on the subject over the years can attest, I am a big admirer of Apple, Steve Jobs, and Mac OS X. This is one of the only negative articles about Mac OS X I've ever felt need to publish. (The only previous one I can think of was about Spaces, which is still a flawed implementation of virtual desktops.)

However, as much as I've tried to, I just don't like Mac OS X 10.7 ("Lion") — certainly not enough to upgrade to it from Snow Leopard. Unlike every previous update to Apple's Unix-based operating system, there's really nothing in Lion that's truly compelling or will make me more productive on my Mac, and lot that isn't and won't.

When I came to Earth, I of necessity adopted a human form — in order to be less conspicuous. Little did I know what a mess caring for the human body would be.

The worst part about the tasks required to keep the body from deteriorating too much is that they take so much time. All of these mostly unpleasant activities could — if I let them — gobble up 1-2 hours of my day. Unfortunately, what I've found is that putting off some of these tasks merely means spending more than 1-2 hours when the deterioration has become more annoying than the tasks themselves.

Some variation of these text tools have been included in CrystalClear Interface, as well as Crystal Black, since those applications were first released. However, the tools have nothing to do with the theming of buttons and windows, or with the general appearance of Mac OS X. I added them because they address a real need of mine, which no other software could do.

As a writer, I need ready access to a range of text functions, and I need them in whatever application in which I happen to be writing. In most of the rich text editors I use, those functions are available somewhere in the app’s menus, but typically they're in different places within each app. Some apps don’t include one or two key functions at all.

Mac OS X has a rich text framework that provides just the set of editing tools I require, and it would be extremely handy to be able to access those tools consistently across apps. This is precisely what the MarsThemes Text Tools do: Grant easy access to the key Cocoa text tools that writers and editors need but can’t find.

CCI 2.6 will be a major upgrade, with some features customers have wanted for quite awhile now. The upgrade will be free for current CrystalClear Interface license-holders, but after release the software's price will increase to $18. The price increase reflects the major amount of work required to push CCI's functionality to the new level, and a lot of that work has to do with making it work — and look right — on Lion (Mac OS X 10.7).

Briefly, the main new features in CCI 2.6 will be:

• Incorporates the Crystal Black button theme for users on both Snow Leopard and Lion.
• Adds eight menubar themes users can mix and match with their chosen button theme.
• Seamlessly swaps custom application graphics for a given theme with the chosen new one.
• Fleshes out the custom system graphics for Lion, so that both the Gradient and the new Black Gloss button themes are almost in parity with Snow Leopard.
• Adds two new window frame styles — "Black Gloss" and "Black Gradient."
• Incorporates two new preset themes — "Black Gloss" and "Smooth Black" — to take advantage the new window styles.
• Adds numerous new Crystal Docs icons, and improves the icons tab to show previews of the various icons.
• Automates the installation of third-party Crystal Docs icons, so the user isn't interrupted and prompted to install for each app as they open it.
• Provides a new set of Crystal Desktop pictures, mainly for users who want a dark desktop. This set of "Deco Bubbles" desktops has six dark variations and four light ones.
• Adds code to enable readable statusbar text for the clock and username "menu extras." (Note: This feature currently doesn't work consistently on Lion.)

These items — all available as free downloads, except for two — were previously in a section of the Mars website linked to the "Downloads" item in the navigation bar. That link now takes you to Mars Themes. (Oh yeah, the two not-free items are the software apps CrystalClear Interface and Crystal Black. They have their own websites, but are also linked to Mars Themes.)

The new site has all the content previously available here, plus a few more things. . .

I had noticed the trend building for quite awhile, but it only really hit home when I realized that Google, of all companies, had redesigned its formerly accessible Analytics site to rely heavily on Flash for displaying content. This wouldn't be absolutely horrible except for the fact that Google provides no HTML alternative. I tried to needle the company through its Analytics forums, but only received assurance that yes, indeed, one must have the Flash plugin running to view the site.

Keep in mind that content like that on Google Analytics is not mere marketing information, like the sales pitch on the Analytics home page.

Those of us who are disturbed by the trend need to be a bit more vocal about our opinion. Hence, I'm starting a "Just Say No To Flash!" campaign, with its own web page, graphics for a banner, and the CSS and HTML code to deploy it on your own web pages.

I've mentioned this to some of my family and friends, and they often come back with: "So, Why should I say no to Flash?" I admit that as a power browser and a programmer geek type who, shall we say, makes more efficient use of the web, I'm more keenly aware of the ways that Flash is chipping away at the foundation of web content.

In the beginning, it seemed harmless: Flash was an alternative to animated GIFs, and an easy way to embed movies on web pages. But then advertisers wrapped their meaty mitts around it, and that's when Flash started to be annoying. However, one could block Flash in the browser, as part of a strategy of shutting out obnoxious advertising.

But publishing content via Flash is just wrong, for a number of reasons.

I'm happy to present a complete, new set of icons for Mac OS X, specifically designed to complement the Crystal Black theme. These icons can be used to replace the default "system" icons for folders, devices, toolbar items, Finder sidebar items, and others. The screenshots below display the icons for each system type.

• Paranoid?
• Envious?
• God-Fearing?
• Intolerant?
• Republican?

In recent days, I've been barraged by friends back on Mars inquiring about what psychological effects the spate of tornadoes in the South and Midwest United States must have on the humans there. Their interest got me to thinking, and I suddenly had an insight, which I'm sure has brightened the intellectual glow of many humans over time.

The insight encompasses the sociological effects of Hurricanes as well, since the two devastating natural phenomena share some common traits... the most obvious being those furiously spinning wind and clouds.

My Martian theory also explains why tornadoes and hurricanes affect humans in ways that volcanoes, tsunamies, and earthquakes do not.

For brevity in the following paragraphs, I'm using the term "Recurring Events of Mass Destruction" (REMD) to refer to tornadoes and hurricanes, and the term "Unpredictable Events of Mass Destruction" (UEMD) to refer to volanoes, tusanimies, and earthquakes.

Dark interface themes are extremely popular with a small, but very passionate, group of Mac users. Sadly, since Apple introduced Leopard (Mac OS X 10.5), the old, relatively simple method of creating such themes on the Mac can't be used, and it took the theming community a good year and a half to figure out the current, relatively hobbled tools to theme the few bits of the interface that can be themed.

Given the weakened state of theming on the Mac, it's not surprising that the number of themes available has dwindled to a mere handful. And even those only go part of the way compared with what we used to be able to achieve with ShapeShifter. Still, the yearning for Mac themes remains strong among this community, and black themes are virtually nonexistent now.

Black themes have always been a challenge, because the frameworks used to build applications were designed to assume that text would always be black and the color of windows and buttons always light. Apple introduced a dark-theme paradigm a few years ago with its Heads-Up Display window style, which, with its translucent black background actually assumes that text will be white.

So, why would anyone undertake an effort to introduce a fully black theme for Snow Leopard?

I suppose it's because we Martians just can't step back from a challenge. Not to mention the fact that we, too, are afflicted with the passion for dark themes that many Earthlings suffer from. I also have a good starting point, having developed some useful techniques for the challenge through building CrystalClear Interface.

To acknowledge the theme's heritage, I've dubbed the theme Crystal Black.

In other words, the Web Inspector tool is nothing but an intricate, sophisticated, and extremely well designed web page!

Having built a Crystal Black CSS file for web pages in general, and with my past expertise in CSS, I attacked this challenge with relish! It reminded me of the time I realized that Dashboard widgets are, at their core, nothing but little web pages (as are simply apps for the iPhone). In tackling this one, the main question was, How should the various elements look? And the hardest part was inspecting the various parts in of the Inspector in great detail to determine which CSS rules governed their default appearance and behavior.

As I discovered, the WebKit has a a sub-framework called "WebCore," which in turn has a folder of resources specifically for the Web Inspector. In the Inspector folder, among other things, is a suite of CSS files that handle different aspects of the Inspector's design and behavior. Of these, the primary one I needed to tweak was called simply "inspector.css."

Crystal Black is a theme for Mac OS X "Snow Leopard" that I'm still refining and plan to release eventually. I published a preview of the theme last fall, and a few weeks ago released a Crystal Black theme for iTunes. The skins for both iTunes and CoverSutra will, of course, be included in the full theme once it's out.

Crystal Black is a theme for Mac OS X "Snow Leopard" that I'm still refining and plan to release eventually. I published a preview of the theme last fall, and also migrated the theme to iTunes 10 when it came out. Since theming iTunes is quite a bit easier than theming the entire operating system, I decided to release Crystal Black for iTunes first.

This version of Crystal Black for iTunes continues to improve its usability when iTunes is set with the hidden "High Contrast Mode" option. High Contrast Mode effectively inverts white and black in the iTunes sidebar and playlist contents (see screenshot at right), and looks great with Crystal Black. The high-contrast option is accessible through various utilities you can download to customize "hidden" features of Mac OS X. I use and recommend the free, open-source Secrets for such customizing. Secrets installs an easy-to-use and auto-updated Preference Pane and includes hidden options for a wide variety of third-party apps, in addition to Mac OS X.

One more application-specific Crystal Black theme I plan to release soon will be of interest primarily to web developers: It's a theme for Safari's Web Inspector module. Stay posted for more on that, and for more about Crystal Black as a whole.

One of the truly bewildering traits of human beings is their ability—and even carefree willingness—to ignore facts that conflict with their current worldview. I touched on this topic in an earlier article, and find it manifested in numerous ways in this most viciously anti-rational political climate.

This article picks one of these non-facts as a particularly good example: Has the U.S. Federal Government workforce grown too large, or not?

The "Tea Party" politicians, in particular, appear to be masters at the art of selling people willful ignorance, perhaps partly because they themselves drink from that cup religiously. Among the false ideas they consider common knowledge is the idea that the Federal workforce needs to be cut—presumably because it, like the Government as a whole, has grown too big. While they're at it, they'd also like to make sure Federal employees don't have a benefits package better than members of their own congregation do.

Recently, a Republican from Texas, Rep. Kevin Brady, submitted a legislative proposal to cut the Federal workforce by 10 percent. According to a Washington Post article, Brady's reasoning goes like this:

There's not a business in America that's survived this recession without right-sizing its workforce, without having to become more productive with fewer workers. The federal government can't be the exception. We're going to have to find a way to serve our constituents and our taxpayers better and quicker and more accurately with fewer workers. I'm convinced we can do it and we don't have a choice.

Including its overall premise, Brady's short statement includes several fallacies, and on Mars we find it alarming to realize that this guy is chairman of the Joint Economic Committee and a senior member of the House Ways and Means Committee. Where I come from, those are pretty big britches! When someone with authority over such enormously important Government functions gets his facts wrong, one has to wonder whether he is deliberately lying for political reasons, or whether he's maliciously failing to determine the facts—instead shaping them to fit his policy goals.

On Mars, such behavior is almost unheard of. When I first revealed it, my fellow Martians had trouble believing that sentient beings could behave this way. And even if someone were to deliberately distort reality, surely Earth's legal systems would be constructed to punish the act.

Apparently, however, this behavior is not only tolerated, it's rewarded by the mere awareness that it's tolerated. After all, if a lie—or deliberate ignorance—by someone in authority isn't challenged, it clearly achieves its purpose. And achieving one's purpose obviously counts as a success. (On Mars, we believe that this is one of the perverse lessons Americans learned from President Richard Nixon's downfall: If you're going to lie, cheat, embezzle, or otherwise commit illegal acts, be sure you aren't caught doing so.)

Version: 1.0.6.

He arrived from the tiny town of Butler, Pennsylviania, as part of the new freshman class of Angry Republican Congressmen. After all the feting and touring that greeted him in Washington, Mike Kelly was asked who had impressed him the most.

"Nobody," he said.

To be impressed by "nobody" must mean this guy is hugely impressed with himself, one would surmise. Well, yes and no:

"I hope I don't sound arrogant about this, but at 62 years old, I've pretty much seen what I need to see.”

Today's article in the Washington Post doesn't explore what exactly Mr. Kelly has seen in his 62 years, but from his attitude and statements, I would venture to guess it isn't much.

You see, Mike Kelly came to Washington because he is angry that the Federal Government "intruded" on the running of his General Motors car dealership, where he'd spent 56 years of creative energy. (I guess that means he'd been working on the business since he was 6. Just kidding.) 

And exactly how had it intruded? Why, it was making him sell Chevrolets instead of Cadillacs.

And exactly why was it ruining his business this way? Well, you see, Obama had (personally) taken over General Motors and was (personally) requiring dealerships to restructure as part of an effort to save the company.

"This is America. You can't come in and take my business away from me. . . . Every penny we have is wrapped up in here. I've got 110 people that rely on me every two weeks to be paid. . . . And you call me up and in five minutes try to wipe out 56 years of a business?”

This is a reasonable attitude if you believe that tiny, parochial self-interest should be the motivator of those elected to run a National Government. However, tiny attitudes from Big Men In Their Local Communities have no place in Congress. Indeed, those with tiny, uninformed beliefs who fail to see the big picture are precisely the ones inclined to take actions that will fail the interest of the public they're elected to serve.

Even more confusing is the paradox whereby humans believe that allowing a conflict of interest can be wrong in case A but right in case B. Again, the paradox may only be resolved if one assumes that the perspective of the believer is what determines the judgment of right or wrong.

Let me be a little more specific.

In most situations where humans raise the spectre that someone may have a "conflict of interest," the implicit notion is that having such a conflict is bad and should be avoided. Examples here are cases where a judge may issue a ruling that is in his own interest but not necessarily that of the conflicting parties. Or where a public official makes spending decisions that stand to benefit himself—or his friends, family, supporters, etc.—but not necessarily those who are supposed to benefit from the spending.

Most people I've talked to seem to think that this notion is obvious—that weighing such conflicts of interest in one's favor is wrong and should be avoided. As will become plain later in this essay, I certainly do not disagree with this notion.

On the other hand, either consciously or unconsciously, most humans in modern, West-European-modeled societies entertain notions of conflict of interest that, to my Martian mind, seem antithetical to the the one they espouse publicly. In this less-than-conscious notion, acting in one's own interest is something that society, instead of outlawing, should actually encourage, since acting in one's own interest is a natural human tendency that can't be legislated away. Not only that, but acting in one's own interest is viewed as ultimately the same as acting in everyone's interest.

This essay is the first of a series that will explore some specific cases where Western societies legislate to prevent "conflict of interest," and perhaps more interestingly, where they do not. The cases will be examined in the light of the way self-interest is perceived by individual humans, as well as by humans grouped into various, possibly overlapping, personal and business relationships.

Those of us who used ShapeShifter to run Cathode on our Macs understood why. Although Cathode was beautiful, in practice it was impractical. There were too many elements of too many applications that resisted a dark theme for buttons and window backgrounds.

For me, however—and I'm sure for many theming fans—the dream of using a beautiful black theme like Cathode was a siren call impossible to forget.  Over the years, the dream receded further from our grasp because of roadblocks Apple erected—intentionally or not—to the existing mechanisms of theming Mac OS X.

Starting with Mac OS X 10.5 ("Leopard") in 2007, the main tool for applying Mac themes, ShapeShifter, went bye-bye and has never returned. This is one of the main reasons I continued development of CrystalClear Interface, because it was the only way for me to apply a fully realized theme to Mac OS X.

Since Leopard, themers have been able to finesse the problem by changing the system graphics files that apply buttons, menubar background, basic window shape and color, and a few other items to your window appearance. Despite best efforts to unravel the secrets of the Mac's new ways of drawing itself, this mechanism isn't able to consistently change text color in the many contexts in which it appears in a window, thus making design and use of dark theme impractical.

As I'll describe in a future article, tackling the design of Crystal Black, a new theme inspired by Cathode, has been far from easy. And there remain user interface elements that totally resist its charms. But for me, those elements are few enough to make Crystal Black practical.

At this point, I'm confident that I'll be able to complete Crystal Black and release it at some point for all Mac users of Snow Leopard (Mac OS X 10.6). The theme is an offshoot of CrystalClear Interface (CCI) and uses much of the same code. However, Crystal Black is much simpler, has a smaller impact on the operating system, and is compatible with many more applications than CCI. Also unlike CCI, Crystal Black provides a complete theme for iTunes 10.